Faculty
Programs
Recent Duren Courses
Professor Michael
Cunningham, Psychology: “New Orleans’ Youth:
Resilience and Vulnerability in Tomorrow’s Leaders”
Professor Cunningham, who was recently named a Weiss Presidential Fellow for
Excellence in Undergraduate Teaching, designed this course to introduce students
to the multifaceted lives of public school adolescents. The course has several
objectives: students will learn about the rewards and challenges of growing
up in New Orleans; students will learn how to understand and critically evaluate
linkages between the basic needs of being an adolescent and the social dynamics
that exist concurrently; students will connect abstract theoretical ideas with
both empirical and real life examples; and students will learn how to analyze
empirical data, write scientific research reports, and write reports for lay
audiences. Students in the course will create brochures and pamphlets for local
school parents and teachers, fulfilling part of the university’s Public
Service requirement. Professor Cunningham’s Duren class was recently featured in this New Wave article.
Professor Barbara
Jazwinski, Music: “Creativity and Obstacles to Creativity:
A Discourse on Music as a Creative and an Intellectual Pursuit”
In this new course, Professor Jazwinski will encourage her students to examine
various concepts in music that have the potential to fire their imaginations,
and to allow them to discover and try to unravel the mysterious connections
between the arts and the sciences. They will consider the correlation between
mathematics and the arts, as embodied in the extraordinary beauty of fractals
or in the mathematical precision of a fugue. The course will include a series
of field trips to concerts and art galleries. Through this exploration, students
will learn more about problem solving methods that can help remove obstacles
to creativity. For example, the most talented composition students often experience
the greatest obstacles to creativity because they do not have appropriate auditory
tools and compositional technique to handle the exceptionally difficult process
of “translation” of the sophisticated sonorities that they hear
in their minds, to notes on paper. In short, they do not have the tools to
convey to others the artistic vision that is uniquely their own. As a consequence,
in Einstein’s words, they need to “figure out how to think about
the problem." This course intends to help them do so.
Professor Gaurav Desai, English/ADST: “Africa
and the Politics of Culture”
In this course on the politics of culture in Africa, students
engaged with a number of debates on ethnic and national identities,
the relationship between Africa and its diaspora, the long term
global contacts between the continent and spaces across the Atlantic
and the Indian Ocean, and the ways in which gender and class
inflect political struggles on the continent. One of the highlights
of the course, made possible by the Duren funds, was a day-long
class trip to Jackson, MS. to visit an exhibit on the "Legacy
of Timbuktu." This exhibit, presented by the International
Museum of Muslim Cultures in Jackson, highlights the history
of the golden age of Timbuktu and the scholarly and cultural
accomplishments that highlighted that era. Students had a chance
to examine a number of manuscripts and artifacts collected in
Timbuktu that have been preserved in the collection. They also
received a personalized guided tour of the exhibit by the Curator.
The course concluded with students individually reading a different
travel narrative and reporting on it to the class. The thematic
of travel, both physical and epistemic, framed the discussions
throughout the semester.
Professor Harry Howard, Linguistics: “Computer
Programming through Robotics”
The goal of this course is to introduce students to the principles
of computer programming by programming a small mobile robot.
The class will start out with the Lego Mindstorms NXT robot and
advance to the 3D virtual world of Webots. Students are strongly
encouraged to participate in the SocioCognitive Robotics lab,
so the course will gravitate towards Prof. Howard's interests
in linguistics and cognitive science. However, it is an introduction
and does not require any knowledge of computer programming, robotics,
cognitive science, or linguistics, though more advanced students
with a knowledge of computer programming can be accomodated.
Specific projects include programming a small imaging platform
that the lab will send aloft on a high altitude balloon called
HASP (there is a good possibility that this work will be incorporated
into the navigation component of a vehicle that is going to the
Moon), and looking at the Android programming platform for cell
phones that Google has just released for the not-yet-existent
Google cell phone.
Professor Peter Cooley, English: “Introduction
to Creative Writing”
Classes are devoted to discussions of modern and contemporary
work with attention to reading as a writer—i.e., learning
to borrow of others’ work to enrich one’s own—and
to workshop sessions on writing exercises in fiction and poetry
designed to stretch the imagination and to ground the beginning
writer in the basics of the craft: characterization, point of
view, scene, summary, plot, structure, rhythm, sonics, and voice.
A number of accomplished writers visited during the semester
to review and discuss student work. Each also gave a public reading
with a reception following, allowing for informal interaction
with students and the community.
Professor Michael Mislove, Mathematics: “Computational
Problem Solving”
Most mathematics courses teach students about a particular area
of mathematics. This course taught problem-solving skills in
general using Scheme, a functional programming language, as a
means to enforce rigor while providing dynamic feedback. Students
were able to see patterns in the problems they solved, in turn
learning how to reuse and adapt one problem’s solutions
to other problems.
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